Eric White Fine Art Studio has recruited an extraordinarily competent specialist who has mastered all the techniques associated with giclée printmaking coupled with having access to the best giclée printmaking equipment available to reproduce Eric’s artwork. This is a critical point for the prudent art buyer to be concerned about because not all printmakers are created equal. Most printmakers do not have the latest state-of-the art equipment or use the best techniques and will therefore end up producing inferior prints and passing them off on the end consumer – you, the art buyer; this product would not be considered “museum quality”.
Eric’s printmaker is a true professional and is one of the best in the world; he has published works for the Louvre, Philadelphia Museum of Fine Art, Art Institute of Chicago, and other priceless private collections. The reason for this practice is when a patron loans or donates an original masterpiece to a museum’s collection [for the benefit of the general public], the family will have reproductions made for their own personal viewing and enjoyment – thus the term “museum quality print.” These patrons require and deserve to have a reproduction as close to the original as possible; Eric’s philosophy is the same.
Museum-quality prints deserve special handling to preserve and protect
their fine quality. All of Eric's prints have been printed on the
highest quality fine art grade substrate (double gesso for durability)
and finished with an artist's grade liquid laminate protectant that
makes the print scuff
resistant, UV resistant, and light fast with a permanence greater than
100 years. All of these factors ensure the print's beauty for
generations.
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